The Bottom Five

The songs that juuust made Billboard's "American Top 40," 1970-1999


’80s

  • Tom Petty & Stevie Nicks — “Needles And Pins”

    Entered Top 40: March 1, 1986 2 weeks  Peaked at: 37 Picking a single in support of a live album is often a dicey proposition. If you don’t have a significantly different version of a big hit, maybe you throw one or two new studio tracks on the record and use those. That’s what Pat… Continue reading

  • 1985 in Review

    I think the only tangents I couldn’t work in well this year, because they had nothing to do with 1985, were some oddball Laura Branigan songs. Here she covers The Who’s “Squeeze Box.” And here, ever looking to Eurodisco, Branigan recorded “Deep in the Dark;” new lyrics set to the arrangement of Falco’s “Der Kommissar.”… Continue reading

  • Artists United Against Apartheid — “Sun City”

    Entered Top 40:  December 7, 1985 3 weeks  Peaked at: 38 Of the several all-star awareness raising singles of the mid-1980s, this one is still quite listenable, but is one you rarely hear. This probably requires a five-cent history lesson, but just know there are better historical sources out there. A key part of South… Continue reading

  • Laura Branigan — “Spanish Eddie”

    Entered Top 40:  September 7, 1985 2 weeks  Peaked at: 40 Mostly an interpreter of other people’s songs, Laura Branigan’s three biggest US hits were all English translations/adaptations of European songs. After bringing glossy Eurodisco covers to the States, Laura Branigan’s first 1985 offering was…a seamy crime tale?! “Spanish Eddie” wants to be a story… Continue reading

  • Katrina & The Waves — “Do You Want Crying”

    Entered Top 40:  September 7, 1985 2 weeks  Peaked at: 37 Guitarist Kimberley Rew was in the postpunk/psych rock band The Soft Boys with Robyn Hitchcock; their most enduring song is certainly “I Wanna Destroy You.” Upon that band’s dissolution in 1981, Rew revived one of his old groups, The Waves, with his old drummer… Continue reading

  • Ratt — “Lay It Down”

    Entered Top 40:   August 17, 1985 1 week  Peaked at: 40 Like prog and Album Oriented Rock before it, glam metal/hair metal was mostly doing its own thing outside of the Top-40 singles chart, sustaining itself more on tours and album sales. Ratt was one of the early LA hair metal acts with some… Continue reading

  • Animotion— “Let Him Go”

    Entered Top 40:  July 27, 1985 1 week  Peaked at: 39 The 1983 potboiler-ish film A Night In Heaven, in which an uptight married college professor (Lesley Ann Warren; no, not Susan Sarandon) has a fling with a cocky failing student who’s also a stripper (Christopher Atkins), was a flop at the time, and is… Continue reading

  • Kenny Loggins — “Forever”

    Entered Top 40:   July 20, 1985 1 week  Peaked at: 40 Between work on two blockbuster film soundtracks (Footloose and Top Gun), Kenny Loggins released Vox Humana, in which Team Loggins stepped away from the yacht and tried a mishmash of modern (at the time) R&B and synthy pop. It also leaned a little… Continue reading

  • Graham Parker & The Shot — “Wake Up (Next To You)”

    Entered Top 40: June 15, 1985 3 weeks  Peaked at: 39 For all of Graham Parker’s critical acclaim, his only US Top 40 hit is one I’d not heard at all before. Parker came up in the ’70s British pub-rock scene, and international music press lumped him in with Elvis Costello and Joe Jackson as… Continue reading

  • Robert Plant — “Little By Little”

    Entered Top 40:   June 15, 1985 4 weeks  Peaked at: 36 In 1985 Robert Plant continued to do whatever the hell he wanted, confounding people still holding on to Led Zeppelin. The prior year he’d had a couple of big hits with The Honeydrippers, a supergroup assembled for some ’50s covers (including their #3… Continue reading

About THIS

This is a rundown of all the songs from mid-1970 through 1999 that managed to get into Billboard’s pop Top 40, but peaked no higher than #36. Some of these you’ve heard all your life; some never before. Some were big on a genre chart or on MTV, but just barely crossed over. Lots of third and fourth singles from big albums. More Osmonds than you can shake a stick at.

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